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fordarkisthesuede · 3 years ago

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The Tolls of Justice: the Tarot, Name Meanings, and More!

Gentlepeople…

BEHOLD!

All the tarot-aligned hints! All the future foretellings! All the silly references! :) Everything you might have overlooked is here for you easy-to-read pleasure!

Naturally, there be spoilers a-plenty ahead for Batman the TellTale Series: The Tolls of Justice, so if you haven't read it (or maybe you're thinking about reading it, or this is your first time hearing about it), I'd advise waiting until you're done with each chapter to read through the sections. You can either click the link and be redirected to Ao3, or look through my tumblr tag #ttoj!

*One forwarding note: the tarot references build slowly in this story, and I only use the traditional Major & Minor Arcana. You'll see a lot of jokes and name-type references before we get to the tarot. I also simplified the numerics, but they're often displayed as roman numerals on cards, hint hint.

Prologue

gang member "Four Ears" - a very very off-the-collar reference to the line "Listen up, four-ears!" from J-Men Forever; in context, it was an off-shoot of the insult "four-eyes" but for music taste, also implying the person's taste was "square".

gang member "Muddy Nye" - his name can be boiled down to "muddy river". It works as an allusion to the messy, unclear case ahead of Bruce and the Batfam, but also as a hint to Clayface, who acted as Muddy in his first sighting of the story.

"Sunset" - a reference to everyone's favorite vampire series to pick on, the Twilight series; back when it was at the height of it's popularity, some drug dealers sold heroin marketed towards the crowd based off it's terrible and unfortunately iconic(?) line from Edward Cullen, "You're my own personal brand of heroin"…hence why the drug of choice BM is shipping here is heroin. Essentially, this plot setup is one big joke.

"FIGS" - a reference to POP! vinyls, hence the capitalized name and spiky word balloon on the packages.

"Gray Ghost [memorabilia]" - one of my (and everyone else's) favorite BtAS episodes, which proves definitively that Bruce Wayne | Batman is not only a Huge Nerd™, but also a massive collector of normal fandom things. (Do you think he troughs through blogs and fanwikis…? What am I saying, of course he does. He edits them.)

gang members "Jack Whendleham and Kirby Noltz" - nod to Jack Kirby, comic artist extraordinaire!

Ch.1: A Different Ceiling

[chapter title] - John does not wake up in Arkham at the start of the story, hence waking up to a different ceiling. He also hits different limitations on what he can do, so it's also a different kind of "ceiling". (Like the term "the glass ceiling", the invisible barrier a demographic hits in a hierarchy.)

St. Dymphna New Life Home - named after Saint Dymphna, the patron saint of mental illness. There's no "'s" at the end because I saw other clinics named after Saints didn't use the possessive form when referencing them.

The Lucky Hotel - an oxymoron, really; the unluckiest place to get stuck at with it's seedy history, but also the place where John "gets lucky"…in a couple of different ways!

Stitched Up Alterations - a heavy nod to the wonderful batjokesy line from S2, "We're two threads in the same stitch". It's pretty deeply ingrained in fanon (and technically canon, if you go with The Dark Knight) that Joker makes his own clothes, hence Batman rarely finding him through his tailor. Since John's thrifty and clearly made his original Joker outfit(s), I piggybacked off it as a legit skill to give him. I mean, come on, the guy is always so stylish! And you're really going to look at me and say he didn't alter his thrifted shirts and vests to fit his sleek frame? Puh-leeease.

13th Street - 13 is a traditionally unlucky number in western culture; hence the "Lucky Hotel" there having a bloody history, along with a failed, closed casino nearby.

Corazón gang - okay, I admit…I'm still a weeb at heart. It's a One Piece reference. Corazon was one of the few post-timeskip new characters I really liked; his name is Spanish for "heart", and he sported a heart motif. Like the gang in this story, he also died before the start of the main storyline.

Ch. 2: Face Values

[chapter title] - A reference to the phrase "not taking things at face value", which is very evident in this story. Also doubles as a rather loose reference to the upcoming Tarot cards.

Sebastian Overfield - The name Sebastian means "from Sebaste", as is derived from the Greek word sebastos ("venerable", someone who has a lot of respect). Overfield of course is "over" and "field", implying the family is on a high hill overlooking/overseeing/maintaining a certain field. As Seb is a reverend, this name is well-fit for him.

orange rose [gift from John] - means "passion" in the language of flowers, and can allude to fascination; this can be taken platonically or romantically…but it's definitely romantic when it's coming from John.

blue iris [gift from John] - means "faith and hope" in the language of flowers, and sometimes are associated with royalty; an allusion to Batman/Bruce's overall symbolism in the eyes of Gotham…and John.

Chandis [ship, circa Prologue] - A reference to Chandi | Chandika, the Hindu deity; the short version of their story is that they are a demon slayer, known to be angry and passionate, wield multiple weapons, and ride a lion. And who was on the ship? Hmm…

Ch. 3: Ink Trails

[chapter title] - A reference to the Alterations' claim slip John finds, which ends up leading back to the Court of Owls. It doubles as a reference to the mask tattoo/clue on Ian 'Nito'.

Faith Ackart - "Ackart" is a variant of "ackhart", derived from "ekkehard", which we can say roughly means "brave/hardy". The name "faith" and "hardy" together is another very subtle clue for the audience towards the villains' motives. (Well, I say that, but it was really more of a joke-clue for me to giggle at. And it makes a good reporter name!)

Lou Monger - the guy's a fish monger…with the last name Monger. It's-a joke! ;D

Ian 'Nito' Coggs - first mentioned without his real last name, but "Ian Coggs, Nito", is a pun on the word "incognito"…which is what Clayface is here.

FriendBook/Chirp/bloggr/uBox - takes on Facebook, Twitter, Tumblr, and YouTube respectively. (This started back in my 'Season 3' story, At the Brink of Midnight, though I've since learned that bloggr was a real thing. :T) The 'uBox' is meant to be a play on 'jumping box'/'the box' as other terms for TV, like 'the tube'.

"whole tomato of pins" - the supposed history of tomato-shaped pincushions is that tomatoes placed on mantels repelled evil spirits and guaranteed prosperity, but I really wanted to just allude to the common pin-cushion shape. (My mom once had a whole little basket of strawberry shaped pin-cushions. I remember "borrowing" them a lot as a kid to play with. And then "losing" them.)

"sock and buskin masks" - these are a reference to the "comedic sock" and "tragic buskin (i.e. boot)" of the Greek comedy-tragedy theatre masks. I figured something like them would be a good logo for the "false faces", as BM is obsessed with masks. It also doubles as a natural callback to the "your relationship with x has changed" feature of TT games.

Ch. 4: Suite of Cups

[chapter title] - the first chapter to be a reference to the Tarot, in specific the Minor Arcana of Cups; rather than specifying the card at play outright, this title is a pun on the aforementioned arcana "suite", as the main location of events this chapter are in a casino's hotel suite. One can interpret many Cups cards at play here, but...

○ Specifically, in the Casino's suite/crime scene, there are 8 visible seats, but 7 cups on the table. The 7 of Cups refers to choices, fantasy, and illusion, an indicates there are multiple opportunities or many paths you can take, but they should be chosen carefully; when reversed, it can mean confusion, diversion, and temptation, and indicate a lack of choice or failure to choose.

○ The upright version is definitely in play, with the overall root of TellTale games being choices, and some "the player" makes this chapter will move your relationships with Tiffany and John in different ways, which can strengthen your relationships with them. If "the player" has chosen to be a more violent Batman, the way the Talon - and later, the Court - treats Batman is different.

○ The Reversed reading can be interpreted for the Court's complete disregard for the mere notion of choice.

Bauta - a Venetian carnival mask, meant to represent 'anonymous decisions' via it's original design of protecting identities. It's quite common in carnivals.

Melpomene-Thalia - the Venetian masks for comedy and tragedy, a la 'sock and buskin', the masks used as a general symbol for theatre. You can practically taste the irony, given who's shown wearing it...

Volto - a Venetian mask, meant to represent 'anonymity, quiet exit' for it's blank face. It's also known as the "Citizen Mask" because of it's worn by the common folk (in comparison to the more elaborate masks).

The Lot [casino] - named for "drawing lots", like drawing straws or matches to pick a person to do a task (usually with the shortest straw having to do the task, but it varies). This is both a pun on the fact that it's a casino - where you try your luck at gambling - and corresponds with the theme of foretelling the future that's woven throughout much of the story.

The Wednesday Nighters gang - this doesn't mean anything in particular. I'm a big fan of Midsomer Murders, and there's an episode ("Death in a Chocolate Box") where it references a few dirty cops who frequently took the Friday night shift at a station for episode-plot-reasons, who called themselves The Friday Nighters. It's an off-shoot reference to it, hence the corrupt cops on the gang in this story. :)

[John's voicemail] - Another BtAS episode I love is "the terrible secret of Bruce Wayne". In particular, I loved Joker's voicemail when Dr. Strange calls in ("Boy, do YOU have the wrong number!") and I wanted to do something like that. But, y'know, way less murdery.

"F85H4ND" - l33t-written "Fate's Hand", for…well, the hand of fate, supposedly guiding you through life/events. Another correspondent to the foretelling the future theme.

Michael Hodgson - not all of the names I pick for characters mean anything. Sometimes their names are just loose references to things I like. This is a silly mish-mashup of the original hosts of Mystery Science Theater 3000, Michael [Nelson] and [Joel] Hodgeson. (Joel was the first host + show creator, and Mike was the second host who closed out the original series run.)

"40F5WRD5" [Batcomputer archive] - l33t for the 4 of Swords, a card in the Minor Arcana for rest and restoration; since the archives and file names are randomly generated when not prompted otherwise with manual input, an otherworldly force seems to be saying 'get some damn sleep Bruce'.

[John's ringtone] - I know, TT always has everyone's phone on silent. I don't care. Bruce's ringtone for John is "Mack the Knife", a song about a violent mobster, played on a carnival organ. Chosen because 1) John probably loves that song, 2) I thought it was funny that it has the line "the shark bites - with his teeth, dear - when he shows them pearly whites" and how well that goes with John's A+ dental care... 3) TeamFourStar made jokes in their BtTTS S2 playthrough about having "a special ringtone whenever John calls [them]"…why would I not carry that through? They did get me to where we are now, you know. ;)

Ryde - the in-game stand-in for Lyft, the not-a-taxi service.

Ch. 5: The Wheel Still Spins on the Upturned Chariot

[chapter title] - a reference to 2 tarot cards in the Major Arcana. 1) "The Wheel"/"The Wheel of Fortune", which is a sign for continuous cycles, inevitable fate, and usually indicates good fortune and pre-destiny when the card is presented upright. When reversed, it can signify bad luck and an unfavorable fate. 2) "The Chariot", symbolizing a path forward to success, confidence, and overcoming obstacles; when reversed, it's stands for recklessness and lack of direction/control. 3) As the Chariot is upside down, John's original plans have been upended and everything goes out of his control in a chaotic situation. He’s essentially "not at the driver’s seat" for a little while. "The player" decides which direction to take the wheel in - either letting him lash out violently and send him on more solitary and dangerous path, or satisfy his need for stability by embracing his new relationships. The Chariot is always upturned here, but whether the wheel spins forward or backward is up to "the player's" decisions.

511 N. Blade Street - this one's a bit messy. 511 = V I I, or VII in roman numerals, which =7. The tarot cards are traditionally numbered in roman numerals. North, for pointing upright, and "blade" is synonymous with "sword". So it’s the "7 of Swords", in the upright position – referring to deception and trickery, which is of course what's going on in regards to who Ian 'Nito' Coggs really is…

Apt 1005 - even muddier, but this is referring to the 10 of Swords, which is for betrayal and backstabbing, hinting at the true motives of "Ian" | Clayface. 10-0-5, so 10 and the l33t for "OS" = 10-o-S.

900 Wanda Way - Both a pun on the phrase “wander away” and the 9 of Wands in the Minor Arcana, which alludes to pushing forward to achieve victory. A good allusion for a clinic, me-thought.

400 Wanda Way - The 4 of Wands in the Minor Arcana stands for community, another good allusion for a clinic.

Karen McCarthy - named after the most stereotypically uptight narcissistic asshole the masses have agreed to call 'Karen', and both McCarthyism and another famous lady with the surname McCarthy. Because I wanted you to know the second you see her name that she is *horrible*. (Funny, though, there's 2 senators named McCarthy that are pieces of shit and one infamous quasi-celeb who's the face of the anti-vax scene. Is it just a cursed family name?)

Ch. 6: The Tips of Our Swords

[chapter title] - Refers to the 4 of Swords card in the Minor Arcana, as the "swords" are alluding to the four active members in the Batfam - Bruce, John, Tiffany, and Iman - who work together on the case[s]; you can infer this title to a presentation not unlike the Musketeers joining swords to affirm themselves as a team, as they all gather together. The reversed reading of the card is for restlessness/stress in Bruce's case, and the clear signal of the universe to tell him to relax, and the reading when presented right-side up is for the break it gives to "the player", with the homey atmosphere of the Batfam spending time together. Either reading is completely valid here.

○ BUT, as Alfred is a non-active member of the Batfam, we could also say that 5 of Swords is also at play, right-side-up for the fighting and resentment with Alfred, and John's hinted budding conflict with him; and 5 reversed for Bruce's attempts at making up with Tiffany. If one illustrated the gathering of our four heroes joining swords like the musketeers over a breakfast table, then Alfred would be sitting drinking tea, standing as a symbol of the Ace of Cups, signifying new emotions or stirrings of feelings.

○ If we stretch the metaphor eeeven further, the title can also be a loose reference to the Sword of Damocles; threats always hang above the heads of powerful people, and in this case the looming threat of Black Mask and the mysterious assassin, ever-present in Batman's world…

Dr. Brandi September - literally "Sword" and "Seventh Month", alluding to the 7 of Swords, hinting to deception and manipulation at play.

"I was tired of the soup du jour" - a shameless Devo reference; a tiring of the routine/everyday. "I'm tired of the soup du jour - I want to end this prophylactic tour - ain't nobody around me - understands my potato - I'm only a spud boy - lookin' for a real tomato" - DEVO, "Mr DNA/Smart Patrol".

Motel 11, Augury Road - "augury" is another word for crows; as a gathering of crows can be a method of fortune-telling, this a reference to a gathering of 11 crows, which when seen is supposed to be indicative of disguising or revealing secrets.

Ch. 7: Drawing the Strings

[chapter title] - meant to allude to John aligning the strings connecting the people and crimes together, like an old-fashioned way of mapping clues; can be interpreted as these crime-strings on the proverbial board being drawn closer together, marking the center of the "web" as the Court of Owls

Frieda Baast - Frieda, an allusion to the Norse goddess Freya, who rode on a chariot driven by cats, and Baast, the Egyptian goddess who had the form of a cat. It makes it really obvious who was staying at the Motel 11, huh?

room 14 [Selina Kyle's motel room] - a reference to the 14th tarot card, "Temperance", which when upright is meant for choosing the middle path between choices. This is meant to reference Selina herself, currently at a secret, personal crossroads and being in "the middle"; John can influence her hidden choice by either making her think about what her potential job's employers are really aligning themselves with, or taunting her into how she can't leave her old life behind. (Whether John is violent or not doesn't completely impact her choice, but it does impact how they interact later if Selina winds up in the hands of our villains.)

Oracle, Spoiler, Batgirl, Spectrum - Batman's had a lot of non-Robin sidekicks in comics, including Batgirl (originally Barbara Gordon), Oracle (Barbara Gordon, post-Batgirl-forced-retirement and computer hacker extraordinaire), and Spoiler (Stephanie Brown, who "spoiled" crimes). As a fan of Ao3/tumblr's @fractualized 's own Telltale Bat-verse fics (the "Release John Doe" series), I added in the reference to "Spectrum", which Tiffany became in lieu of "Robin". A wink from one fan-writer to another! ;)

"I'm steppin' out, my dear - to breathe an atmosphere […] - that simply reeks […] with class" - John's singing a classic Fred Astaire hit, "Top Hat, White Tie, and Tails".

Eric, Jerome, Jeremiah, Jack [John's "Normal name" ideas] - As this story allows "the player" to pick a name for John to use in place of his own, you can pick between some classic and modern references to Joker's alternate personas over the years. Eric White Border (edit: goddang it that's what i get for looking at White Knight while writing this up and never double-checking), Joker's regular persona in the New 52 Batman comic line; Jerome or Jeremiah of the Gotham TV series, both of which are different aspects of Joker's personality through media, with a more modern gritty version in Jerome (think Heath Ledger's Joker) and a more modern take on Joker's sociopathy in Jeremiah; and last but not least Jack Napier, the first official name of Joker circa Tim Burton's Batman (1989), and the one most popularly used (BtAS and other comics throughout the years since use this name). "The player"'s choice doesn't impact the story or the way John acts, but it does give a surprise feature later. ;)

Matt Chaney - Aka, "Clayface", Matt has both new and old elements in his name alone. Matt, for Matt Hagen, the most well-known/used of the Clayface personas, and Chaney, for classic film actor Lon Chaney, AKA the man of a thousand faces. This Clayface is an aspiring actor who is psychologically dependent on Moddy to keep him handsome after a terrible car accident left his face marred. He uses his excellent makeup skills and acting to infiltrate the False Face Society, and double-plays them and the Court of Owls.

Root / MuSec - stand-ins for Vine and TikTok, respectively. "MuSec" is both a play on the word "musac" (the word for 'elevator music' and generic produced music you hear in fake stores and the like) and the mish-mash of the words "music" and "second", referencing the short length of the videos. "Root" was used in a prior story (At the Brink of Midnight), and acts as another "natural network" type name akin to Vine; though I do recognize "Vine" might have come along as part of the phrase "I heard it through the grape-vine". I have a feeling some Aussie fans might find the fake-Vine name funny...or just awkward.

Ch. 8: It Had to Be You

[chapter title] - A reference to the classic crooner song, "It Had to Be You"; specifically, the one that flows through the first scene is a cover done by Frank Sinatra, meant to align with other Bat-media's use of Sinatra where Joker and Batman are concerned. The Arkham games got his famous "Under My Skin", and another crooner's "Only You". Batjokes fans/content creators have also used "Strangers in the Night" for their relationship. I wanted to present one that would feel at-home in the TellTale universe regardless of what route you end up with, and what's more perfect than a song about finally discovering the love of your life? The song fits them to a tee, in my humble opinion…

Estella Art Gallery - Selina's art gallery, mentioned previously to have been the site of a Talon attack. "Estella" translates to "star", for the tarot card "The Star". When presented upright, it means hope and rebirth; this card can be presented after a disaster, such as an event like "The Tower". Normally, it can be interpreted as a card to show a phase where you have trust and faith in yourself and the universe. Selina was turning over a new leaf and enjoying her new life until the Owls found out who she was.

Mrs. Bollard - "bald-headed person"…this poor woman got her wig snatched as John stole Bruce from her on the dance floor. xD

"I knew today's horoscope was bullshit" - a nod to earlier, where Roman mentioned his horoscope when visiting Bruce; "a friend will help you out of a tight bind." Not that it was mentioned like that... still! I wonder what today's was? "You will be fortunate in your business endeavors"? Ha ha ha! But really, the horoscope is another nod to the theme of foretelling the future, as it's a popular method to try and see how your day, month, season, or year will be. Not that I know what sign Roman is… *thinking face*

[Achievement Unlocked: Batman Who Laughs] - John showing up in the Batman cowl was not only funny, but a direct nod to the Batman Who Laughs. The TT games had Batman comic titles often used as Achievements, so I figured I'd put in some…

[Achievement Unlocked: Batwoman Rises] - Iman helping the team out in the spare Batman suit is naturally a nod to Batwoman, and something I wanted to do for a while. ;D

Brighella - a Venetian mask taken from a play now used to depict a cunning and mischievous servant. Originally the mask was used to depict a greedy villain character.

The Two Gilded Cups - A restaurant in-story that references "The Two of Cups" tarot card, a card representing unity, partnership, and two becoming one. When upright, it's a card that can reference lovers or a new relationship; when reversed, it can represent broken communication, imbalance, or tension. As such, the couple who were seen at the restaurant - Sonja Townsend and her husband - are established lovers who work together for the Court of Owls, but those who were really there are Jackie Lant and Matt Chaney, who are in an imbalanced relationship. "Gilded" implies that "The Cups" are covered unnecessarily with gold - this is both in reference to Jackie and Matt's disguise of the Townsends and the truth about their relationship. Matt's lies are covering for his narcissism and selfishness, and ultimately is the only thing holding him and Jackie's relationship together.

Moddy - A fictional body modification clay-mud-putty that's a product of Janus Industries, this makeup is the favorite of Matt Chaney and the reason we can call him "Clayface". Like the traditional Clayface, Matt is in dire need to have his fix of the makeup, despite what it does to him - as John notes, it leaves a weird burn-like sensation, and since Matt has deep scar tissue he covers every minute of every day, it's made the skin damage worse.

"You’re really committed to drowning in that river" - A riff on the old joke "denial ("de Nile") isn't just a river in Egypt".

"Your words are honey in my ears, but my brain always turns it into bitter wax" - In Futurama, Fry has a silly line of “Sweet words! Sweet words that turn into bitter wax in my ears!”. It always had the potential to be a great metaphor if the words were twisted around! :) Plus, I mean, come on, this is a totally On Brand™ thing for John to say!

Ch. 9: Strength in Numbers

[chapter title] - Referencing the Strength card, for bravery, compassion, and inner strength; the title also doubles as a play on “different kinds of strengths”. Strength is the will the expose your truths. Strength is finding compassion to help others. Strength is staying true to your convictions in the face of opposition. We see all different kinds of strength on display here.

○ It can also a reference to the different partnerships going on, with Jackie joining the team (unofficially), Bruce and Tiffany going off to tackle the other half of our case, and John and Iman’s team-up. :)

"[John] could barely hear it over the tinny electronic whistling tune emitting from his own phone, telling him the person on the other end was a mystery" - this is referencing an old tumblr joke! Yes, John has the “It is a mystery” tone on his phone for unknown calls…complete with the little (:o) ghost icon.

CUP5K1NG [license plate] - Referring to the King of Cups card, a card portraying emotional balance and compassion. As it's not written as "K1NGCUP5", it implies it's a reversed card, signifying there's manipulation and instability at work. Even though Matt doesn't own the car this license plate belongs to, it's definitely tied to him since it's his getaway ride, and thus hints at what's to be revealed in his and Jackie's hotel room.

Aylin Street - the name "Alyin" translates into “moon halo; one that belongs to the moon”, thereby being a reference to the Moon card, representing mysteries and illusions. An investigation is afoot!

“Looks like I’ve got the red light, kiddo.” - In stage acts, the red light is to indicate to the performer their time on stage is up. Generally, it’s reserved for comedians who either overrun their time or are losing the audience. John's joking that he's been given the red light to exit stage left (but not persued by bear).

"What’s the ‘G’ for?” - Iman's 'Gotham Construction' jumpsuit has a G different from John's - it's shaped more like a gear. This is another Mystery Science Theater reference, in particular the logo for Gizmonic Institute, the company/labs that "employed" original host Joel and the mad scientist Dr. Forrester (and his assistant, TV's Frank), who started the experiments of forcing a guy and his robot friends to watch reeeally bad movies. The result was 12 (soon to be 13!) seasons of some guys making hilarious and very memorable jokes at said bad movies' expense. Does this reference mean that Bruce is just as huge a dork as I am, or does it mean that MST3K is real in this universe?! You make the call! ;D

○ …if you read 'What's the 'G' for?' in Invader Zim's voice, that's also valid. Especially if you followed it with “I dON’t know!” in GIR's. (There is no cringing here! We openly embrace our childhood silliness!)

MasterOfClayFace / #IdW3arThat [Matt Chaney's social media login] - naturally Matt is so far up on his high horse that he considers himself a master of clay work…and of course his nickname is ClayFace! His password is a joke in and out of canon, being a riff on Lemon Demon song: “A mask of my own face – I’d wear that” ~ Lemon Demon, “Mask of My Own Face” [Nature Tapes].

3055 [Jackie Lant's InstaPic followers] - According to research, the average Instagram following is about 1000, so Jackie is above average popularity. Anything above 10k is usually(?) celeb status. The number 3055 is meant to be broken up and turned partially into l33t, to make 3-O-S-S, or 3 of Sword[s]. The 3 of Swords card in the tarot signifies heartbreak and grief, stemming from betrayal, loneliness, and rejection. Jackie experienced all three of these heart-piercing swords during her return to Gotham, with Matt basically forcing her into isolation, betraying her trust, and rejecting her input and values in favor of his own; but she didn't really know it until the truth was exposed.

8055 [Matt Chaney's InstaPic followers] - similarly, Matt's follower count is meant to be 8-O-S-S, or the 8 of Swords card. It signifies self-victimization and imprisonment. In particular, the card shows a person restrained and trapped, but their helplessness is a show…they could choose to get out, if they got over themselves. Matt is incredibly selfish, so it comes as no surprise that he will play the victim card.

#OnlyInGotham - Another tumblr reference! I love the @hashtagonlyingotham blog! ( ^3^)

The Herold Rite's Theatre - A play on the word "Hierophant": Herold, like “herald (ruler/champion)” and Rites, like “sacred rites”. In the tarot, the Hierophant card represents following tradition and values, which for the Owls is their very core. This is basically a big ol' hint that Iman and John are heading into Owl territory, but also foreshadows the religious undercut of The Court and Reverend Sebastian Overfield's role.

"a familiar red-pyramid-and-floating-eyeball" [graffiti] - A reference to my icon! ;D You think I can't self-promo?

trading cards [found in theatre storage] - In the Theatre, John finds "old promotional trading cards for an old sci-fi film with big-brained aliens". This is a shameless and loving reference to Tim Burton's 1996 film Mars Attacks!, of which my AO3/tumblr icon and username is lifted - the movie was based on a series of Topps trading cards from the 1960's, and had it's own set of cards with movie scenes and behind-the-scenes pictures (and summaries of events) printed for the movie! They also used them as promotional tools, and if you get very lucky purchasing a copy of the old single-issue comic books from the 1995 Mars Attacks run from Image Comics, you can get a promo card.

https://bit.gt.gd/S3272019F?=RO - Originally "gd" stood for a derivative of Google Drive, but I can’t look at it and not see “get good”. The "S3272019F?" is meant to stand for "Started: March 27, 2019 Finished: ?". I can't believe I started uploading the story in March of 2019! Man, 2020 really messed with my sense of time…

Ch. 10: Tantara Bounces Off of Moonlit Walls

[chapter title] - "Tantara" is defined as "the blare of a trumpet or horn", as seen in the Judgement card, which stands for self-reflection as well as reckoning, and can indicate rebirth. There's of course another reference to the Moon card, for intuitions and the unconscious being. Then what are the "[Moonlit] Walls"? Well, they're the part of the only Major Arcana tarot card to represent a building - they are the walls of the Tower, symbolizing destruction and disaster. When all the cards' meanings are put all together, this alludes to a time of discovery among absolute disaster.

○ Expanded, the whole title is a reference to both forms of Judgement occurring – self-reflection and change are happening with Bruce and John as their mysteries and anxieties are finally put to rest: John is undergoing his final "rebirth", seeing his reality clearly in Arkham’s padded cell; Bruce seems to finally come to terms with working with Tiffany, as his fear of not being able to protect her comes through with her showing she's able take care of herself and prove she's a true asset to the team; and the Court of Owls finally comes to light, with Matt Chaney, the Talon Adam, and the Talon Sonja Townsend finally showing their real motivations.

○ We can also interpret the title as a reckoning coming for the Owls, who have long been obscuring the truth of their deeds and whose true motives have been murky. They've built their own tower of disaster with bricks of delusion, and judgement's horn is blaring a warning through their hallways…

"X-Sharp Manufacturing" - a reference to the 10 of Swords (hence the "sharp"), the tarot card for betrayal, backstabbing, and defeat. For Bruce, there is disaster here beyond his control that ends in a [temporary] defeat. For Roman Sionis, owner of the small factory as part of Janus Inc., he's unwittingly walked into his own betrayal.

"Merlin's Flower Arrangements" - Merlin, a famous wizard, is a reference to The Magician card, who defines “as above, so below”… And as John is taken to a secondary location, so is Bruce. :)

"La Luna Painting" - La Luna, aka The Moon; remember, shadows can play tricks on your eye, so something’s afoot here… Aka "HEY GUYS THIS TOTALLY ISN’T SUSPICIOUS OR ANYTHING NO SIR"

Yelsnia Theater - Yelsnia is…actually a name. But searching for it shows my true hint, as it's "Ainsley" backwards. "Ainsley" derives from Scottish words meaning “alone, solitary” or “hermitage”. This is a reference to the Hermit card – in this case, it's blatantly upside down, referring to loneliness, isolation, and a general disconnection with mankind. AKA, the path Matt is on.

"the looming pillar tower" [Arkham] - A blatant representation of The Tower. It stands for impending disaster and "an upheaval of a foundation of reality". Of course, this can be taken in two ways. 1) That John has overcome/avoided the disaster of another mental breakdown. 2) That John’s foundation of his delusions - that he’ll wake up in or get sent back to Arkham for his sickness - was wrong in a realistic sense, as he’s made serious progress in managing his emotional issues, and right in an unrealistic one, where the only way he could be sent back was through an outside force, i.e. the Owls.

10210475 [inmate number] - When separated for the numeric cipher, we get 10-21-4-7-5, or J-U-D-G-E

13051420 [inmate number] - When separated for the numeric cipher, we get 13-5-14-20, or M-E-N-T

○ When put together, the inmate numbers read "Judgement", the tarot card is shown here for John's choices and character arc on display throughout this chapter. When the card is reversed, it implies a lack of self-awareness, which we can also attribute to "the player's" choices for John if they make Bad Decisions. If you simply take the word "judgement" at face-value (without involving the tarot) it also works wonderfully, applying to John's entire situation as being a trial/judgement set by a higher force.

"The prince returned to the tower" dialogue [the prophetic cell mate] - Whether the person speaking is physical or not, John notes he can hear the scratching of pencil on paper within the cell, implying a person is writing their words down like a story… “The prince,” (John Doe, alias Joker, traditionally the ‘Clown Prince’ of Gotham) “having returned to the tower” (Arkham Asylum, the foundations of John's issues) “to reclaim his crown,” (assurance in himself and his reality; the completion of John's "self" with his final choices and becoming Vigilante!Joker for good) “trails after the fiend” (confronts the Talon Adam, alias Owl-man) “who's flying on wings of retribution” (core beliefs, perceived sense of justice). “The fiend’s wings are big, but the bones are brittle” (the Owl-man is imposing and persistent, but his physical "wings" are his weakness).

○ If you couple the Court of Owl's belief that G*d has written down the destinies of everyone in the world [as they are each born] with the knowledge that someone was writing down a short version of John's events at Arkham…hmmm.....

Room 11 [Iman's cell room] - The 11th card in the Major Arcana is "Justice". This can reference either 1) The just-desserts coming for Talon Adam/"The Owlman", or 2) The outcome of the player’s choice to take Iman with them or not.

11 minutes + 16 seconds [remaining time on bomb timer] - 11:16. 11/16, aka my birthday! :) I only wish I had finished Chapter 10 in time for the chapter's publishing year (2020), lol~

"Our Faith brings Perseverance, and Our Perseverance guides Justice, for Mercy to God." - The Court of Owls' beliefs circle around 3 principles bringing people closer to G*d: Faith, Perseverance, and Justice. Their belief hardens their persistence in their actions (as they are written and not guided by "Evil"), and their goals are ultimately to deliver justice where the human system failed and "Evil" prevailed in "escaping", hence the guiding of one principle to another. "Mercy to God" is what is granted by righting the injustices of the world; as G*d wrote your future down exactly, Evil can corrupt it, and once corrupted this does G*d a harmful injustice. The Court considers themselves close to G*d by "mercifully" stopping further corruption via eliminating "Evil" in all it's worldly forms…

Speaking of the 3 principles, our main Owls are meant to be "embodiments" of these in the story.

○ Talon Sonja Townsend represents Faith, driving home her belief in G*d's absolute destiny. She is corrupted by her own selfish goal of eliminating her son-in-law, but is also so by-the-book she does not think to look at the obvious double-standards of the Court, and doesn't think her underlying actions are guided by "Evil".

○ Talon Adam represents Perseverance, having fought Joker to unconsciousness, and was willing to blow up Arkham with himself still inside just to eliminate it; he is the most brainwashed, but the least corrupt in motivations, only striving to get what he feels is "justice". On the flip side of Adam is Talon Evan, who despite serious injury still appeared in Court and jumped at the chance to kill Joker and Batman, despite the Court's general appreciation of Batman; he is corrupt in personal selfishness, as he possesses no "real" faith in the Court's belief system and doesn't like others getting credit by stealing his targets.

§ ...it's also worth mentioning that the names for Adam and Evan are meant to be derivative of "Adam and Eve". In this way, it can also be seen as a parallel to The Lovers card, which one can attribute to Bruce and John. While Bruce + John are oddly harmonious and undeniably have a strong bond regardless of story paths, Adam + Evan are discontent rivals, with Adam "stealing" Evan's target and good graces with the Court, and Evan very pointedly beating up and kidnapping Batman (who Adam admires) to set up Batman's eventual Judgement.

○ Reverend Sebastian Overfield is the main representation of Justice, though he embodies all 3 principles. The Court’s belief is that their pursuit of justice – stopping Evil/chaos via deaths of criminals – overrides their own traditional sins. Because they are being helpful to G*d, granting Them mercy by righting the injustices of Evil and putting G*d’s Word back on the right path, they are in G*d’s favor. Therefore, as the leader of the Court and the one who organized everything by handing down "God's word", he is the carrier of Justice; without him, the Court would be nowhere and G*d would be shedding more tears over their ruined work…at least, in his mind. Naturally, he is the exact opposite of what justice should be. He is biased and unwavering in strict faith, as much a carrier of chaos as he doesn't want to be…

○ Of course, this is all also up to interpretation. One can interpret Adam as "justice", Evan as "perseverance", and Sebastian as the stand-in for "God", as he is the Court's ruler and is the sole person to hand down "the word of God".

"[…]if two people you normally count on for one reason or another" - Alfred made a subtle dig at John being Bruce's boy-toy. Ouch, Al'…

"[…]given it's your pet project, and all" - Even though Selina is talking about Arkham, she's making a dig at former-Arkham-resident John being Bruce's "pet", who in her eyes was Bruce's main reason for getting Arkham revitalized. :\ Man, everybody's picking on their relationship…

petrichor - The smell proceeding rain. Because it's not a climactic fight scene in Gotham city without rain.

Ch. 11: The Tolls of Justice

[chapter title] - Naturally referring to the Justice card of the tarot, this title is the same as the story title. Funnily enough, this is the 11th chapter, and the 11th card in the tarot deck. (I guarantee you I did not plan this bit… Funny how these things play out, ain't it?) The Justice card naturally stands for cause and effect, clarity, or truth; ultimately, it's a representation of karmic retribution, and what the Owls are in dire need of facing. The title overall is referring to both the [para]phrase "do not ask for whom the bell tolls, for it tolls for thee" (in the original context: a grievance over death for all out of love for community/mankind, not just one person) and the "toll" - as in cost or damage - of enacting justice. What Bruce has put himself through to become and keep being Batman, the enactor of vengeance for all those wronged in the city of Gotham, and what ultimately the Court of Owls has sacrificed - either wittingly or unwittingly - in the name of justice. It also extends to John, who for the sake of "justice" is routinely stuck in Arkham, in one way or another, and has never had a conceivably just or fair life at all - thus paying the unwilling toll opposing Bruce and the Owls. We can also extend it to Tiffany, who is making good on her work with Bruce to "pay her toll" for her own crime, with her toll being seen in a positive light as Robin, compared to what life sentence she might have been paying otherwise.

[the sword in the pulpit] - a symbolic reference to The Justice card, as the Justice card in the major arcana often depicts a sword, either alone or in someone's hand. This can also be interpreted as a reference to the Ace of Swords in the minor arcana, which is normally pointing upwards, referring to victory, truth, or ideas; when flipped, as it would be when looking at the initial depiction of the sword as a "cross", it stands for lies and confusion. The sword in the story itself is a symbol of justice, and uses snakes as the stand-in for the forces of Evil, which are destroyed by the owl making up the handle and supposedly wielding the blade.

"the skull peeking out of the knight’s helmet" [card in the box on Reverend's desk] - A very clear reference to the Death card, famous in the tarot deck. It signifies change, inevitable cycles, and new beginnings/directions. Depending on the reading, it can be interpreted as an actual death, but more often than not it’s merely showing of a life change. As this is the Reverend’s deck, it seems the last card he drew was Death… The viewer can interpret this as a reading from the Reverend into the Arkham plot, where Death is representing John’s own changes, the end of Talon Adam’s latest “cycle”, or the actual deaths that had occurred (no matter how many there are in the end). The viewer can also read this as the Reverend trying to find his own fate, the fate of Roman Sionis for his trial, or Batman’s fate. All of them are quite valid, but I feel the most accurate interpretation is that the Rev' was trying to read the future of the Court of Owls.

○ …as mentioned above, the Death card is the most overt reference to the Tarot. This way, if someone didn't piece together the weird chapter titles, the specified numbers and number-letter strings, and/or the odd names of people and places, they'd be able to double-back and see them as clues. They are put there purely as a storytelling clue for the audience. As you can tell, the tarot references increased with each chapter…almost like someone is trying to get your attention…

[the framed painting] - a reference to The High Priestess, aka card II of the tarot. This card is indicative of intuition and looking within, and can signal to mysteries at hand or a higher power at work. The pillars on the card are (hilariously enough) marked with a B and J, and are in black and white, respectively. They stand for Boaz (Strength) and Jachin (Establishment), and are meant to represent the duality of nature, good/evil, masculine/femine, etc. Naturally, both pillars are equal. In this depiction, it is both relating to “the player’s” own duality, with the ability to be flexible as Bruce and John and have both good and bad decisions play through the story, and as a strong hint to a higher power being present.

8-9-6-3 [candle puzzle] - It takes a bit to work out by sorting through the alphabetic values to each number, but it doesn’t make a complete word. On ye olde phone keypad, 1 is always null in value, so it’s always unlit in the candle sequence, and since there are 4 other numbers present we know it doesn’t count as part of the string. (If there were only 3, you could guess a year from your notes.) My idea for the “game” specs of this part would be that the key-code would be somewhat randomized, either using a specific year (if Tiffany and/or Iman are not present, this is *always* the case, as you have to utilize your background notes and the candles by yourself), a few translated letter combinations just for fun, or an occasional number-card type combo, as presented here. (In some lucky scenarios, “the player” doesn’t have to solve the candle puzzle, since Tiffany can figure out the year by herself and just call you over when she opens the door. You still have the option of looking around, though!) In this case, the values are another tarot-themed hint, using the card number first: 8-w-n-d, for the 8 of Wands, which alludes to quick actions. AKA “Get ready for quick-time events!!!”

"looking more like the king on the throne than a judge" - Meant to allude to The Emperor card, the ultimate royal symbol in the major arcana and always depicted with a king. Traditionally this symbolizes power, authority, control, etc., but when reversed it alludes to overbearingness, arrogance, and chaos. For the Owls, they would likely see themselves as the upright depictions, even when presented upside down before the person doing their reading… And here is no better example, with the Reverend Overfield taking place as the ultimate authority over the Court.

"like [Sonja] had a say in commanding the room" - Alluding to The Empress, in conjunction with Rev’s position, this card alludes to femininity, motherhood, nurturing, creativity, and/or abundance. When reversed, it stands for neglect, creative blocks, overbearing, and/or uncaring. Sonja is a good example of an overbearing mother, trying to make decisions for her child because she thinks she knows best - thus fits the reversed reading well.

[Courtroom layout] - How curious is it that I haven't referenced The Devil when we have so many opportunities? That's because I strove to show this card rather than reference it overtly. The Devil card depicts El Diablo in the upper middle, lording over the card, with two souls chained to him at the bottom. The classic depiction shows a female demon-like human on one side and a male demon-like human on the other. As such, Rev. Sebastian sits on the high bench as the judge, overlooking the courtroom, and Sonja and Evan sit beneath him, one embedded on each side of the lower bench, sitting before him rather than beside him. Naturally, The Devil card represents temptation, manipulation, and materialism (though not necessarily of physical things). There is nothing more suited to The Devil card than the Reverend Sebastian Overfield and the Talons.

Circe | Cindy Peterson - Circe was the original Black Mask's downfall, or at least serious decent into who would be Black Mask. In her origin, she was a model who seduced Roman and ended up being blamed for his poor business choices, as he completely revolved Janus Inc.'s new direction around her image, somewhat at her insistence. Roman seemed to love her, but grew vengeful when she dumped him. She was named Circe, after the witch who lured men to their doom. In this story, she plays a much less active role but ultimately still serves as Roman's downfall, though in a very different way. : she does seem to care about Roman, going so far as to hide him on her yacht, not rat him out for his overt gang activities, and even leave Gotham with him for good to run from Batman despite not being in a relationship with him for long. But Bruce is able to spin this to his advantage, openly lying that she was working for him undercover and twisting Roman's affection for her into paranoid doubt, which he eventually lashed out with and ended up being caught because of. Circe never got a ~proper~ name in the original canon, so I dubbed her Cindy. The name "Cindy" can be boiled down to “person from Kynthos” and since Circe is Greek… Well, it fits well enough!

"[…]waltzing into the danger-zone without his wingman" - It’s Top Gun's “You can be my wingman anytime”, but with ALL the homoerotic implications!

"the Degnah Club" - The Degnah Club can be inferred to be one of Roman Sionis’ clubs, or just one his False-Face Society visited on occasion, but the event that happened there is implied to have taken place before the start of the story. “Degnah” when written backwards is “hanged”, referencing the Hanged Man card. When upright, this card means sacrifice and selfless acts. When reversed, as very much implied here, it’s an unnecessary sacrifice. This is both a play on what Roman’s implying – which is likely a very violent event – being an “unnecessary sacrifice” as part of Matt Chaney’s greater scheme for the Court of Owls, and as an allusion to Matt’s fate, where his morals/good choices/old law-abiding life were thrown away for an inevitably failed pursuit.

"[Tiffany | Robin's] personal count of 13" - The 13th card in the tarot is Death, bringer of change and ender of cycles. It’s also a traditionally unlucky number. This number is the “body-count” of Tiffany’s run through the Court so far. Does it reference the end of the Court's latest cycle, or something else…?

Accompanying the Tarot, as mentioned earlier I also tied in other fortune-telling methods, with the counting of crows and reference to the zodiacal horoscope. I also threw in allusions to luck, with The Lucky Hotel and The Lot (in both name and the fact that it's a casino). This is all tied entirely around the concept of fate and being able to change it with the choices you have made or currently make as "the player". Luck itself has nothing to do with your choices and the fates you guide Bruce and John to, and it's not something "the player" can control - it's an illusion, with things seemingly lucky for our heroes having already been written in on purpose to lead to the next event. It's essentially a long, drawn-out joke.

Talons/Reverend's Owl Masks - I wanted the Talons to be set apart from the rest of the Court and have special owl faces. The Court's owl masks are as follows:

○ Talon Adam - Great Horned Owl; chosen for the owl's large size and hunting ability, as well as the protruding "horn" feathers mimicking Batman's cowl. This is the most common owl used in media. The "horns" are meant to clue the reader into the culprit early on. Adam's a Batman-fan, so he mimicked Bats' style.

○ Talon Sonja - Snowy Owl; chosen for the owl's fairly elegant feather pattern and Sonja's ~colder~ personality. Sonja had a masquerade one to show her "humane" side to prospective Owls, but always wears a full-faced mask for the rest of the Court.

○ Talon Evan - Barn Owl; chosen for it's ghost-like face and screeching call, and it's hunting skills. They sometimes are seen as bad omens. While Adam was a mysterious stalker, Evan is overtly dangerous upon appearance, in no due part to his temper.

○ Reverend Sebastian Overfield - Eastern Screech Owl; this owl is smaller than the other, but has similar "horn" feathers to the Great Horned, and a gray face. The "horns" are meant to be another a mirror to Batman, but can be considered another allusion to The Devil. It isn't the largest or flashiest owl of the bunch, but Sebastian has the most power of all the Court members.

[The "Justice" bell-toll] - traditionally, a church bell tolls to signify someone passing into death. In the Court/Church of Mercy's case, they use a bell rung at midnight to signify a complete "trial" and a carry-out of their own brand of "justice"…which also culminates in death. The "trial" shown in this chapter is a rarity, as the offenders are actually present to get a talking-to before their sentencing - generally, the Church will hold a mock-trial to decide the fates of the perpetrators…after some previous counseling with Talons and select older members. (Think of the Trial like a ceremonial conference for the majority of the time.)

Chapter 12: Ten Cheers to the World!

[title] - The act of cheering, aka toasting, is to raise a cup and drink towards someone or something in celebration or tribute. Here, it's referring to the tarot's Ten (X) of Cups, which is pretty much the best card you could pull in a reading - when upright, as it is here, it means celebration, fulfillment, and happiness! The World card is the final card in the Major Arcana, encapsulating completion, accomplishment, and harmony, all from inner and outer sources. It might seem redundant at first, but the Cups suite in the Minor Arcana is all in regards to emotions, relationships, and love; in comparison, the Major Arcana represents a journey from innocence and ignorance to wisdom and completion. So you have an emotional celebration with fulfilling relationships, and the story's path marked as complete in both a literal and figurative sense.

"An accident at Ace Chemicals" [Iman & John's convo] - Referencing the majority of Joker origins, wherein pre-Joker fell into the vat of chemicals at Ace Chemicals and survived, leading to a psychotic breakdown due to his changed appearance and/or the circumstances around to what led him to Ace Chemicals in the first place.

"the string of deaths in the Velestra mafia" [Iman & John's convo] - a ref to the former mafia/main antagonists in Batman: Mask of the Phantom that kept getting killed off one by one by the Phantom. Whether The Phantom exists in this world…we'll have to wait and see, I guess!

"an unrecoverable ‘data loss’ at the Agency" [Iman & John's convo] - not a reference to canon, but my own theory on a potential background for John being a former Agent…(see further below)

"Et tu, Peeps?" - a riff on "Et tu, Brute?", Julius Ceasar's last words as he was betrayed and stabbed to death.

"Maybe I was someone in the wrong place at the wrong time" / "someone at the right place at the wrong time" [John monologue] - Another reference to the most popular background choice, the Ace Chemical origin story, and it’s variations. Though probably lacking Batsy’s involvement, considering the timeframe…

"Maybe I was some experiment gone wrong" [John monologue] - A reference to a different author's Season 3 replacement fanfic, where John ended up being a genetically modified human/test tube baby. Unfortunately the work got deleted from Ao3??? And my bookmark is gone, so I can't name the fic… But I still remember you, Unknown Author!!! It was a fun story and I've never forgotten that twist!!!! \( >o< )/

"Maybe I was even an Agent, like you" [John monologue] - My own little theory as to why the Agency was so keen on getting him for the Suicide Squad – and why he was considered a dangerous part of the gang despite not doing too much of interest in Season 1 (even if you consider the theory that he was helping Lady Arkham get her chemicals/drugs) – was that he was part of the Agency somehow. Either an agent who screwed up on the job, a rogue agent that escaped death via Agency trap…or maybe a guy who knew too much! But it's a fun, fresh idea to bring to Joker's multi-choice past, right? (( ;w;)) <(please say yes)

hippocampus - The region(s) of the brain that primarily deals with memory.

[the photo] - I wanted to leave it up to the reader/"player" to decide what kind of pre-Arkham past the TellTale!Joker has… So whether you think the picture Iman has is a "real" photo of him or not is entirely up to you.

"[…]'you're the moon to my sun'" [John, 'paraphrasing' Bruce] - In Tarot terms, this is a reference to the Sun card, representing joy, success, and masculinity, as well as another reference to the Moon card. One can also interpret the Sun card as "success in overcoming your obstacles or fears". As the Moon card can represent inner fears and femininity, it's a fitting opposite for interpreting this romantic line. While Bruce doesn't exactly embody the "positivity" and "joy" that this card represents, he brings that feeling into John's life, and Bruce is more traditionally masculine in contrast to John. This is also an overt use of the phrase "[they're] the moon to their sun" - a romantic notion that one person, though the opposite to the other, is completely complementary, like a One True Love. TeamFourStar's playthrough of TellTale Batman: The Enemy Within had not one, but TWO mentions of the "moon to [their] sun" line, the second of which was referring to John and Bruce. This one's for you, fellas!!! ( ^3^)

○ Funnily enough, The Moon is a very broadly interpreted card. Sometimes it's not a good card to have because deception, manipulation, illusion, and mystery/confusion are all potentially at work in your life. Sometimes it's an excellent card, because it tells you examine your feelings to resolve a problem, or tells you that you aren't seeing the whole picture. The reversed of the card is often attributed to avoidance of one's problems and further confusion, but also clarity, truth, and the full view of what's going on. If John is the embodiment of The Moon in the upright position, then I say Bruce is that of the Reversed Moon…

"[…] two lovers against the world" - Another classic romantic phrase that can be turned into a Tarot reference. The original phrase is meaning two romantic partners are pitted against "the world"/external forces that threaten to tear them apart, but they are committed to each other regardless. You can't really pit cards against each other in a reading, but you can read Past-Present-Future. In which case, in story terms, The Fool is always the Past, The Lovers is the Present here, and The World is the Future. As mentioned earlier, The World represents harmony and completion - if reversed, it would mean incompletion and chaos. The Lovers card is representing a strong union being forged between two people, very often romantic in terms of the Tarot. The meaning is usually attributed to decisions in a relationship being made (whether to start a new one, or to deepen the one you have), but it can also represent people outright, as well as an indication that a new partnership/relationship is on the way. When reversed, Lovers represents disharmony, imbalance, or a loss of relationship. In our story, of course, our two lovers are representing the upright reading of the card in the Present, showing as a strong couple. As it's "against", it implies that The World is something that will be a challenge, so it's likely Reversed. Which is a pretty good representation of Gotham in general, isn't it? lol~

○ The Lovers can also be seen symbolically in chapters 8 and 9, when Bruce and John are laying opposite each other and linking pinkies/holding hands at the hotel. :)

○ John uses the romantic line regardless of whether he's a vigilante or not! If you didn't get the Best Ending, aka our Sleepover Ending, Bruce would wind up back in the parlor with John as usual, and once the rest of the fam are gone (if they were there at all), he uses it to describe themselves. In the villain route, Bruce and John converse in the Batmobile on the way back to Arkham, and John uses the line there, too. ;3c

○ Naturally, you don't really get this complete scene if "your" Bruce is with Selina in the vigilante route.

Ending Type - …it's not a tarot reference or anything specific. I just wanted to let you know that you can ONLY get the Sleepover Ending if you have Tiffany and John in Bruce's party on good terms with each other AND with Bruce.

○ You can drive Tiffy away from Bruce by saying she shouldn't be with them at the Court Battle, but also by generally not believing in her/being mean and giving a neutral reaction to her staying during Battle; she won't go back to the cave with Bruce, so you don't get a chance to speak to her directly afterwards as either character. (John can still have his conversation with her via text, and they can still end on the same terms.)

○ If you don't have vigilante!John, there's no one else to help lift the things, so Tiffy's idea is never brought up.

○ John is always simping desperate for Bruce's attention, so even if you don't treat him as well in a platonic relationship, he'll still be there for this Ending type. ;_;

○ If you have a Romanced!Selina in your party, Selina will join you in both Court Battle and the Ending as seen in this story. It'll either cause her to take Iman's place (if she is not present) or to have extra spot suddenly appear above the rest of the group. Like Tiffy, she overheats and needs more space too cool off.

§ You can also talk to her as John, and sort of makeup/say your part of the team now. (But John will still be somewhat jealous of the attention she gets.)

§ John doesn't get the emotional hug with Bruce if Selina is around - especially since she doesn't temporarily leave with Tiffany and Iman - but the conversation is almost the same.

§ Naturally you can talk to her as Bruce, too. I don't think on her options too much, but they'll likely talk about change and what it means to have this "job" and internalizing too much of their emotions/themselves.

§ If you and Selina are only friends, Selina can join you in the Court Battle, but will text you instead of sticking around.

1:06 A.M & [Clock time on Belltower in Chapter 11] - Bruce's sense of time is off, which is why he's surprised it's after 1AM and not closer to 2AM. (Can't blame him, he was unconscious for a while and a whole bunch of stuff happened.) I figured if Bruce broke out of his kidnapping ropes at 10PM sharp, and drove all the way to the GCPD, that's about 20-30 minutes in his supercharged car, if not a little less, plus with 5 minutes to escape proper. If we think GCPD is sort of a halfway point to Old Gotham/The Coventry district, it's another 15 minutes to there. So he'd arrive at the Church of Mercy before 11PM, and wait John for around another 10-15 minutes, including with all the investigating inside. The "trial" scene probably took another 10 minutes until Batman crashed it, and fight scenes seem long because of all the action going on, but by the time Bruce and co' leave, it's not 12AM yet. The bell-tower in the Church of Mercy is actually off by about 20 minutes… And what do you know, card XX (20) of the tarot's Major Arcana is Judgement, alluding to karma at work! It can also be attributed to a life change. ;D

"11:43:20PM" - this wasn't deliberately meant to allude to anything. It took the batfam about 2 minutes from the last toll to leave the church. Bells' tolling speed is varying between clocks and towers, but you can estimate about 30-45 seconds for a full twelve. If it rang at 11:40 exactly, then…ugh, this is sounding like math homework.

Epilogue:

[Still a WIP, so will be updated after it's uploaded! Shouldn't have much, though! Saay, isn't there a Major Arcana card missing? (9v9) I wonder what that iiiiis~]

So that was [just about] all of them! I had a lot of fun weaving them throughout the story this time, especially with the story's themes! AtBoM didn't have as nearly as many, so they weren't really worth mentioning before.

I hope this was helpful to those of you who were interested in diving beneath the surface of BtTTS: TToJ~!

#ttoj #ttoj reference guide #telltale batman #batman the telltale series #tarot cards #I made it a goal to use all the Major Arcana!#fortune-telling #it took me a month to compile this whole guide #I had notes scattered between my Word doc and google doc #hopefully this wasn't too hard to read #even if no one got any of these i'm satisfied!#they were really fun to write!!#edit: corrected Eric's last name (my bad)

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caiminnent · 4 years ago

Text

not designed for the cynical [kylux with side phasma/rey, rated T]

PROMPTS: communication suddenly cut off (@badthingshappenbingo, 8/25) & bed sharing - pet - delivery (@kyluxxoxo)

SUMMARY:

Whenever Snoke calls upon only Ren’s service, Hux sends word to all his relevant contacts that he’s available. The job offer he accepts turns out to be far more than he's bargained for.

(This is a low-key Inception AU that requires little to no knowledge of the movie.)

FANDOM: Star Wars Sequel Trilogy

TAGS: Alternate Universe - Modern Setting, Sharing a Bed, Mutual Pining, Alternate Universe - Inception Fusion, except not really, Armitage Hux Has Feelings, Kylo Ren and Rey Are Related

NOTES: This was written mostly during commute and/or sleep-deprived within an inch of my life and edited under the same circumstances. As such, I don't have the faintest clue what this is, but I love it.

5K || ALSO ON AO3

Hux isn’t prone to worry.

He is prone to stress, and he’s got the blood pressure to prove it—but that’s a necessity of the life they lead. It’s got its uses. Worry, however, is for when you don’t have an alphabetised, colour-coded list of plans for every situation that may arise. Worry is for the under-prepared.

Worry is a waste of time.

Knowing this doesn’t stop the fist around his heart from squeezing tight every time he hits redial and finds Ren’s phone still switched off, however.

Then again, there’s no real reason to worry about it. It’s a perfectly Ren move to go off the radar for weeks on end and turn up three countries away from where he was supposed to be, shrugging off all reprimand like he can’t understand why they’re so angry about it. It’s just what he does—he disappears, then he shows up at your doorstep when you least expect it.

He will this time, too. He promised—he will be back by Hux’s birthday.

----------------

Contrary to the popular (re: Ren’s) belief, life doesn’t stop just because Ren is off doing what Ren does somewhere else.

Even with all the safe houses and personas they maintain all across the world, the unreasonable amounts of money Snoke throws at them to be at his beck and call is more than enough to keep them afloat. Ren would be fine with not taking another independent job ever again; but Hux knows better than to rely on Snoke alone. He’s been burned enough times by fickle employers; he’s not ready to bet on the wrong horse and have to build his reputation up from scratch yet again.

That’s part of why, whenever Snoke calls upon only Ren’s service, Hux sends word to all his relevant contacts that he’s available. It keeps him in the game, on the occasion he gets an offer worth considering—and if he doesn’t, he calls it getting a feel for the market and moves on.

Monday morning finds him curled on the sofa, going through the responses on his phone. Most offers he received are below his notice like he expected, some downright insulting—and then there’s the e-mail from Enric Pryde himself.

He sits up so fast he almost knocks over his empty cup.

Among the dreamshare community, the First Order is as revered as it is despised. They reach out to very few and pay three times what they should; but the cost of failure is equally severe, growing proportionately to the project’s worth. Which seems to be a lot, in this case. While he can’t tell from the sparse details in the e-mail whether this Project Starkiller is meant to be a moving city or some sort of weapon—perhaps both, knowing the First Order—he already estimates at least two layers, more likely three, and a special blend of stabiliser for the dreamer and the architect both, who cannot be the same person for this design.

Because they want him on board as the main architect and his dreams never hold steady after the first layer, special blend or no.

Whatever he was looking for as a quick job, this is not it. It’s far more involved and challenging than he could have imagined—and, he’s finding, everything he needed. He could do this for himself. He could work a job he enjoys, instead of running point to Ren or Phasma’s picks all the time to keep them from working with incompetent point men.

Ren and Phasma, who might be working with incompetent point men halfway across the world this very moment.

No. No, he’s not thinking that. His birthday is only three days away. Everything is fine.

----------------

He e-mails back to say he’s honoured and asks for one week to get his team together. Pryde gives him five days and a thinly-veiled warning that there are others who would jump at this opportunity.

Stomach at his feet, Hux throws his phone on the coffee table and gets up to make more tea.

----------------

As expected, research gives him little of substance about the First Order’s operations and nothing at all about the Starkiller, although he finds a low-quality close-up of Pryde to glare at as he sketches out some ideas. They will get binned once he gets his hands on the self-destructing dossiers or whatever ridiculous security protocols the First Order may work with; but it keeps him busy. Better than watching the hours tick by.

When the clock turns from 11:59 to midnight on what is now Thursday, he considers texting Rey to ask if she’s heard from Phasma recently—changes his mind before he even picks up the phone. Ren wouldn’t like it. Hux has been accused of being a control freak more times than he can count as it is; he doesn’t want to add clingy to the list of his unattractive qualities.

----------------

At two in the morning, the doorbell rings.

He is going to murder Ren.

The door had never felt so close or so far as he rushes to it, heart hammering in his chest. He’s going to let Ren in, he’s going to check him for injuries and he’s going to disembowel that infuriating, thoughtless, selfish piece of shite if he’s had Hux fret all this time for no reason—

“Hi,” Rey chirps, looking up at him with damp eyes and a brittle smile. She raises a bottle of whiskey—Phasma’s favourite. “Happy birthday?”

He opens the door wider.

----------------

Admittedly—not out loud; he would never hear the end of it, from her or her cousin—Rey scores high on the short list of people whose company he enjoys. The booze helps, too. They drink in front of the television Hux hasn’t switched off in days and talk about everything but the aching holes in their chests.

She falls asleep on the sofa. He puts a blanket over her and goes to bed.

----------------

In the morning—practically afternoon, if he’s being honest—he tells her about the Starkiller. The plan was to pitch it to Ren first, to see what he thinks before bringing in the others. As it is, Ren isn’t here and none of Hux’s messages has gone through since their interrupted conversation and Hux is going to bloody explode if he doesn’t tell someone.

“I’m not sure, Armie,” she says around a spoonful of breakfast cereal he certainly didn’t buy. “He will never agree to work for the First Order.”

“Why the hell not? He works for Snoke.” Rather happily, in fact. Ren never prepares more carefully for a job than one of Snoke’s plentiful errands, no matter how simple. “Why wouldn’t he work for Snoke’s own company?”

She considers him for a long moment, chewing slowly. “He hasn’t told you the story.”

The implication—accusation—stings deep. “What story?” he demands, pushing his tea away to lean closer. The words held the intonation of capital letters, which means missing information that could potentially blindside them down the line. His respect for Ren’s private business isn’t greater than his responsibilities.

“Not mine to tell,” she says sternly, pinching her lips in disappointment like he should be ashamed to have asked to begin with. “Ask him.”

He snorts. Ren is hardly the sharing type, especially where Hux is concerned. Everything he’s ever learned about Ren has come through other means—and vice versa, he imagines.

She frowns, a question rising behind her eyes. He tenses on instinct. “Anyway,” she continues, shaking her head—and he can breathe more easily again. “My point is, if we’re doing this, we’ll need another forger.”

We. He doesn’t suppress his smile, relief coating his insides. “I suspect we won’t need a forger for this one. A chemist, on the other hand…”

----------------

She doesn’t leave and he doesn’t ask her to. They polish off the whiskey and pretend not to check their phones every ten minutes while binge-watching Star Wars, including the newest releases even their resident space nerd couldn’t finish.

He visualises Ren’s horrified expression when Hux reveals how he and Rey bonded over their shared love for big guns and hot villains in Ren’s absence. Laughter gets stuck in his throat, forming a painful lump instead.

He bids her good night and slinks away into his bedroom to stare at the ceiling.

Barely ten minutes pass before the television switches off in the next room, soft footsteps echoing lightly in the corridor. He turns his back to the door and feigns sleep as it opens and closes—which is a coward’s way, but he’s never claimed to be a particularly brave man. If he were, he would have asked Ren to stop working for Snoke instead of stewing in his misery right now.

Compared to her cousin, Rey’s weight barely shifts the mattress as she climbs in, sliding under the covers without fanfare. He shuts his eyes tighter and allows himself to imagine, just for a moment, that Ren is back.

“I haven’t heard from Phasma in over a month.”

Over a month? Hells, no wonder she sought him out. “Ren and I talked two weeks ago,” he says—realises with a sinking feeling that it sounded like he was rubbing it in. “Closer to three, actually.”

“What did he say?”

“Not much that I could understand. The reception was horrible.” Bits and pieces through constant breaking: Hux, shit, in case, person and, inexplicably, home. “I didn’t get the impression they were in danger—just inconvenienced.” As is often the case with these missions. Snoke’s got a small army of trained private security under his command and he still sends Ren to the most out-of-the-way places.

That Snoke’s hired Phasma as well for this one is a little more concerning, but not overly so. Reckless as they both can be, Ren and Phasma are forces to be reckoned with on the field—Hux would be more inclined to feel sorry for their adversaries.

Rey sighs. “Hope you’re right, Armie.”

----------------

If Mitaka is surprised to see Rey strut about in Hux’s shortest joggers she still needed to fold at the ankles and an old shirt, he politely doesn’t mention it. He and Rey exchange banal pleasantries over coffee and day-old cake while Hux finishes typing up his notes, then they get to work.

Mitaka listens to the briefing with unwavering attention, his fingers stapled in front of him like a front-row student. Like everyone else in their extended team, Mitaka is an experienced, accomplished dreamer—and yet, Hux can’t help looking at him and seeing the fresh-faced cadet Phasma had dragged in ages ago, barely into his twenties and all the more naive for it.

They’ve gotten old—Hux most so.

Once Hux finishes, “If you both are building this time,” Mitaka starts, looking between the two. “Who will be taking point? The Captain?”

Next to him, Rey inhales sharply, her face mostly hidden behind the curtain of her hair. Shame crosses through Mitaka’s face at the realised misstep.

“She’s otherwise occupied,” Hux responds before Mitaka can break into apologies. No need to make this more painful or awkward than it needs to be. “I will be running point as usual, and Rey is here to help with the heavy-lifting.”

Mitaka nods, glancing at Rey with concern before turning to Hux fully. “Where do I sign?”

----------------

They sign a heavily-encrypted stack of documents digitally, sending them through the First Order’s own communication system. The next day, they receive a link to a private cloud service with a convoluted unlock sequence that can be accessed by one device at a time, read-only.

Hux alone works on three different devices.

On the bright side, the project they receive is well-worth the inconvenience. Their objective is to design and build a superweapon out of an extensively described ice planet in the dreamspace, which must be capable of hitting five targets simultaneously and obliterating all affected life forms on them without causing a single non-predetermined casualty. Controlled chaos, if you will. The First Order wants a catastrophe they can tame and leash.

Hux can make it happen.

Whether he can make it happen in eight weeks is a different question entirely.

----------------

Without Ren to drag him away from work, he’s free to divide his waking hours between his screens and the sitting room, which they repurposed into a workshop-slash-dream den. While Hux is a decent architect in a pinch, he could never build the way Rey does—the way she bends the dreamspace to her will and creates cities that feel alive around them. Between the two of them, they have the groundwork laid out within days, quickly moving on to revising the base design according to the specifications in the main file and the numbers Hux runs.

Instead of using pre-mixed batches, Mitaka mixes their Somnacin from scratch on the kitchen table, reworking the formula per the reactions. None he comes up with works to keep Hux’s dreams steady, although a couple seem to ground his control over the dreamspace. Most just turn the dreams into nightmares for everyone involved.

Many of the nightmares are about Ren. Every time they manage to wake up from one of those, he looks at Rey to apologise. She never meets his eyes.

----------------

Unlike the two of them, Mitaka has family to return to and so he does when it gets late, leaving them to eat take-away and talk around the elephant in the room. On the rare occasion they do talk. Even though Hux gets the most shit for his workaholic tendencies, they all are guilty of it in different degrees; most nights are spent hunched over desks or tablets until they come close to shooting each other over the smallest noise or mistake, then they retire for the night.

The bedroom is where the worst fears come out.

“They might need our help,” she murmurs, lowly enough that the words could get lost among the howling wind outside. “They might be injured or—or lost, waiting for rescue. And we would be here arguing about heat transfer.”

“They aren’t.”

“But how do you know?”

He sighs loudly, turning to face Rey. Her eyes are big and eerily bright in the darkness, shining. “Look, Ren and I have been through this before. We’ve got contingencies in place for any kind of emergency—strategies to scarper and regroup as needed, fake identities with paper trail, codes to slip into lines of communication that will find their way to the other’s ear—all of which tied to systems that would alert us both if ever used. So far?” He gestures vaguely to his phones on the nightstand. “Complete radio silence.”

“Well it might be because he’s—”

His stomach lurching, “Don’t,” he bites out. He’s had enough nights contemplating that possibility himself, reasoning himself out of that line of thinking with more effort each time; he can’t handle someone else saying it.

Especially not Rey, whose unfailing optimism has seen them through many a dark spot.

“They will be back soon,” he says with conviction he forces himself to feel. They always do. This is just taking longer than expected.

Rey’s silence rings in the room.

----------------

At the end of the third week, Enric Pryde reaches out to him. His voice is as cold and serpent-like as he looks.

They talk for two and a half minutes—more accurately, Pryde relays his demands for two minutes and rebuffs Hux’s protests for the next half, then hangs up unceremoniously on him.

Fuming, Hux tries to glare a hole into his phone for about as long before going to wake Rey up.

----------------

“What do you mean, they are relocating us?”

Latching his fingers tight to keep from scraping at his already raw palms, “I mean exactly what I said,” Hux grinds out. “They want to move us into some safe house where they will provide us with everything we’ll need for the rest of the project. We don’t have the option to refuse their generosity.”

“They want to monitor us,” Mitaka says on the other end of the line, ever fond of pointing out the obvious. “Can they do that?”

“Would you like to be the one to tell them they can’t?” Hux shakes his head. They are not small fish; but the First Order is big enough to swallow them whole and not suffer for it. He knows to pick his fights. “If you’d like to drop off the face of the earth, now is the time.”

Rey snorts—as much of an answer as Mitaka’s bitter laughter.

“Well,” Rey says, scraping her chair back. “I should pack some clean underwear. When are they coming to get us?”

“As we speak.”

----------------

Before they leave, they make sure to sketch out First Order insignias on every available place. Just in case.

----------------

The safe house is, for all intents and purposes, a veritable villa in the middle of nowhere.

“A little excessive,” Mitaka comments as they tour the place, noting the bolted down furniture and darkened windows, locked conspicuously on the outside. The cupboards and the fridge are well-stocked enough to keep them fed for several months.

There is no mobile coverage.

In fact, there is no wireless connection of any sort. The multitude of devices strewn about in the house are all connected to the First Order’s own network and communications system, which provides access to every archive they might need for the project and nothing else.

The dread coiled in Hux’s guts grows heavier.

So much for his alert systems.

----------------

Progress is much faster with so much information at their fingertips.

Hux is envious of the berths of the First Order databases. Effective as his own methods of gathering intelligence are, his network couldn’t hope to have the same reach as a well-funded PMC—which he could have been a part of, had he not gone freelance instead of corporate after leaving the military.

The idea is tempting, still. He’s ruined for the civilian workforce—has been since childhood, with a father like General Brendol Hux was—but he seeks the structure and order that comes with being part of an organisation. Under different circumstances, he may have considered applying to the First Order after this project.

As their prisoner in everything but name, he wants little more than to be as far away from them as possible.

----------------

Everything they’ll need doesn’t involve a private chef or buffet, but it involves private delivery people who pick up whatever they want, no matter what they want, in a timely fashion. Because they are spiteful opportunists, they order the most extravagant and unreasonable meals they can think of. The food always arrives hot.

Hux marks the potential restaurants for each food item and how long it took to arrive on a small map every time. Just in case.

----------------

Sleeping in the same bed while Mitaka is in the next room feels too awkward, so they don’t. They don’t sleep much in general, either—not with the question of how to power a machine of the Starkiller’s scale without it overheating hanging heavy over their heads. Dreamshare mechanics are a lot more forgiving than their real-world counterparts; if they can’t pull it off down there, they sure as hell won’t make it work topside.

They have to make it work topside, they now know. The First Order wouldn’t have poured so much money and resources into what is merely Pryde’s pet design project.

“They probably have people looking into it,” Rey says, spinning her pen around her fingers with smugness dripping from her expression. He’s not petty enough to dare her to replicate it in the real world, but the thought is there. “Some super high-tech R&D division working on preventing a weapon of mass-destruction from exploding instead of, like, climate change.”

Watching her fingers like the secrets of the universe lie between them, “I don’t think so,” Mitaka responds. “It’s too much of a commitment. I bet they just wait for someone else to figure it out, then steal the designs from them.”

Something flares at the back of Hux’s mind like static, a connection he doesn’t want to make forcing itself into his awareness.

He shakes his head hard to clear it. Even with the dilation, he doesn’t have the time to dwell on things he’s got no control over.

“If you two are quite done gossiping,” he cuts in, smoothing over the blueprints in front of him for effect. “We’ve got work to do.”

----------------

We’re going to take something someone else worked very hard for, was all Ren had said the night before his departure—the only time Hux dared ask about his new job, once it became apparent Ren wasn’t going to say a word about it on his own. It’s such a non-answer that Hux couldn’t tell if Ren wanted to leave him space for plausible deniability or simply didn’t want to tell him.

He still can’t. As a matter of fact, he can’t say for sure Snoke’s job and this project are connected, either; all he’s got is a hunch.

A hunch he desperately wants to see proven wrong.

----------------

Mitaka’s newest blend is the most successful yet. They go down as far as the third level with only minor tremors under their feet—a huge leap of progress, after weeks of the ground swallowing them up whole.

Knowing better than to push their luck, they call it an early night and celebrate by ordering a feast they’ll have to take their time with. With the dinner table and every other horizontal space that could reasonably hold food covered in their work, they sprawl about the sofa set that hasn’t seen nearly enough use over their involuntary stay.

Once their food arrives and Rey realises what he ordered, a soft look crosses over her face. He ignores it. There’s only one place that serves Ren’s favourite food; it makes for a good reference point on his map. It’s not sentimental if it’s also practical.

----------------

He knew, from a logical standpoint, that having access to communication systems meant people could communicate with them and vice versa. On account of the fact that Pryde and the delivery people are the only ones to use it, he didn’t particularly care.

When the name Blysma pops up on the main screen, he realises what a gross oversight that was.

Heart at his throat, he accepts the request with shaking hands, grateful that no one is awake to see him like this. “Hux speaking.”

“Hello, Hux.”

Oh.

Oh, the ever-loving—

“Don’t say my name,” Ren adds quickly, as if he sensed that Hux was about to curse his name six ways to Sunday. “Or any other names. They don’t actively monitor your communications, but we’re pretty sure some keywords are flagged. Best not to take any chances.”

“We,” he repeats dumbly. So many questions are buzzing in his head that he doesn’t know which should take priority. “You and—ah, our mutual terrifying friend?”

Phasma’s melodic laughter rings through the other end of the line. Hux’s heart soars.

“Yeah,” Ren says, a little breathy. “Yes, we’re both here. And fine. The job ran late. Where the fuck are you?”

About that… “I don’t actually know,” he admits, the truth of it settling dark and deep into his gut. Trying to map out their location left him with more questions than answers. “Near the ocean. Far north of the city, I think; but we shouldn’t have crossed any borders.”

“That doesn’t narrow it down,” Ren says.

Irritation rising in him, “We were hardly given a tour guide for the road,” he snaps. You should have been there to take notes, is on the tip of his tongue—he swallows the words. Ren is here now, in a way. They’ve found Hux and the others. The insignias must have pointed them in the right direction; but figuring out how to contact Hux through the First Order’s own systems? That’s all their doing.

Taking a long breath to calm himself down, “How did you contact us anyway?” he asks.

“By calling in more favours than your sorry life is worth,” Phasma says, amusement lingering in her tone. He has never been happier to hear her mocking drawl. “So you had better give us something concrete to work with before we decide to leave you to rot there.”

Racking his brain, he takes a deep breath to ground himself. He’s got to focus. However Ren and Phasma managed to get into the First Order’s systems, they are unlikely to remain unnoticed for long. He needs to make the most of it.

The answer is so simple, he wants to smack himself upside the head.

“At noon, we will place an order for three servings of Bivoli tempari from the Hosnian. Track whoever is delivering it. They should lead you to us.”

----------------

He doesn’t tell the others about it. For one, he’s not fully sure his stress-addled brain didn’t make up the whole interaction—for another, they have a check-in with Pryde scheduled at 3, during which they’re going to disappoint him again with their lack of progress regarding the overheating issue. They are on thin ice as it is; he can’t take a gamble on the quality of the others’ poker faces and risk attracting Pryde’s suspicion.

At exactly noon, he contacts the delivery people and relays the order. In his periphery, Mitaka and Rey share a look.

Once he takes his seat again, “I thought the Hosnian was eat-in only,” Rey says.

Hux shrugs. “They said everything you’ll need.”

----------------

He orders something different from the Hosnian at the same time for the next four days, just in case. Mitaka is too polite to protest, despite the cuisine clearly not agreeing with him.

Rey eyes him suspiciously every time but says nothing, waiting for him to come to her instead of forcing an explanation out of him. He appreciates it more than he can put into words. He can only hope she understands.

----------------

Dying in an explosion ten times in a row tends to throw a wrench in group morale.

Unwilling to kill themselves just to wake up in the safe house, they wordlessly agree to wait out the timer. The burnout has settled deep onto their bones; Pryde’s implicit threats after every check-in don’t help their mental state, either. If Ren and Phasma hadn’t made contact, Hux might have considered taking his chances with a desperate escape attempt instead of sticking around to see what punishment the First Order would dole out for their inevitable failure. It might prove the better end, at any rate.

“I am going back to my children after this,” Mitaka says with more conviction than Hux has been able to muster up about anything in months. “I don’t care what happens. I don’t care if they kill me for it—I won’t die without seeing my family again.”

“We are not dying,” Hux reassures him. With three real-world seconds to the scheduled kick, he explains everything—Ren and Phasma making contact, the bare-bones of the plan and Blysma’s carefully vague progress update texts, the precautions they’re taking to keep Mitaka’s family safe should something go wrong.

Mitaka cries silent, happy tears at the news. Rey gives Mitaka a warm smile and pulls him close.

“That’s it,” she tells Hux, rubbing at Mitaka’s arm in sympathy. “I’m not letting her take a job without me ever again.”

Raising a brow, “You would be announcing to everyone in the community that she’s the best leverage against you,” he points out, not unkindly. He understands the sentiment—truly, he does—but it’s woefully impractical. Not to mention the kind of commitment it would take.

Her eyes gleam, smile turning secretive in that way he’s learned not to trust. Reaching into her pocket with her free hand, “I was already going to do that,” she says airily, taking out a small, velvet box.

Ah. Fair enough, then.

----------------

Hux is above lying to his employers.

Rather, he likes to think he is. Dreamshare, sophisticated as it may be at its heart, is an underground science—as such, it attracts a certain crowd. In a community where lying through one’s teeth is a survival skill, Hux knows to look someone in the eye and spin a tale truer than the truth as well as the next crook; he just prefers to tell the truth as long as it will leave his head connected to his body.

As it happens, this is the last scheduled check-in before the deadline. Giving Pryde bad news now would be signing their death warrant.

When Hux reports their success, Pryde smiles. The sight haunts Hux’s nightmares for days.

----------------

Blysma’s communication request comes the night before the grand plan, unscheduled.

His mind racing with possibilities, he grabs the tablet sitting on his nightstand before the notification wakes the others, accepting the request with, “Hux speaking.” As far as he’s concerned, there’s nothing left to talk about. Phasma has already laid out all she could of the plan without tipping off the First Order; a recap now would do more harm than good.

If this is about a last-minute change—well. Adaptability is another survival skill in their line of work.

“I missed your birthday.”

Hux blinks at the screen in his hands. “I—yes.” By a couple of months, at this stage. Where did that come from? Surely Ren didn’t realise it only now? “If you contacted me to wish me a happy belated birthday…”

“Of course not. I—uh, I called to hear your voice.” Hux’s lungs tighten, all too aware of his heartbeat. “Since we never finished our conversation.”

Their conversation. The handful of words Hux has been turning over in his head for months, to no apparent meaning or answer.

He’s bloody desperate to ask and finally, finally find out; but they’ve waited this long. They can be patient a little longer. “This is neither the time nor the place,” Hux says, as gently as he’s able, biting down on the instinctive Ren at the end. Now would be the absolute worst time for a slip-up. “Whatever it was, you can tell me tomorrow. In person.”

“That’s just it,” Ren mutters. “The last time I tried to tell you, we kept getting cut-off until signal completely went away and I thought, it’s fine. I’ll be back in a few days, I’ll just tell him then. In person.” He laughs, a breathy, bitter sound. “But then…”

But then Ren couldn’t get back until a few weeks after—and when he did, Hux wasn’t there anymore.

He clears his throat to get out the lump lodged there. “Then you’ll just have to be there this time,” he says firmly—his point man voice. “Because I will be, and I won’t accept any excuses.”

After a long beat, “Yes, sir,” Ren says, a smile in his voice. “See you on the other side.”

“Sleep well.”

#Kylux Summer Fest 2020 #Bad Things Happen Bingo #kylux #Armitage Hux #Kylo Ren #Rey #Dopheld Mitaka #Phasma #Star Wars #Cai does words #finished fics #I know I say this for every fic #but this fic was a ride #I can happily go back to my KBB fic now #not designed for the cynical

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